Nitrate Won't Wait: A History of Film Preservation in the United States

* Read ! Nitrate Wont Wait: A History of Film Preservation in the United States by Anthony Slide ✓ eBook or Kindle ePUB. Nitrate Wont Wait: A History of Film Preservation in the United States This study looks at the preservation process, the issue of colourisation, and commercial film archives. It also provides detailed histories of the major players in the preservation battle and the museums.]

Nitrate Won't Wait: A History of Film Preservation in the United States

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Rating : 4.84 (522 Votes)
Asin : 0786408367
Format Type : paperback
Number of Pages : 240 Pages
Publish Date : 2014-07-26
Language : English

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"a wealth of informationwill be a valuable addition"--Choice

. He has been a specialist appraiser of entertainment memorabilia for more than thirty years, an associate archivist for the American Film Institute, and the resident film historian of the Academy of Motion Picture Arts and Sciences. Anthony Slide is an independent scholar who has published more than seventy-two books on popular entertainment

The Mis-adventures of film preservation Anthony Slide writes a fascinating history of the film preservation movement in the United States. After covering the dangers of nitrate film and the wholesale junking of film prints during the silent era, he documents the beginning of the archive movement in the 1930s and 19The Mis-adventures of film preservation Bruce Calvert Anthony Slide writes a fascinating history of the film preservation movement in the United States. After covering the dangers of nitrate film and the wholesale junking of film prints during the silent era, he documents the beginning of the archive movement in the 1930s and 1940s. You would think that the book would be filled with stories of heroic efforts to save films, but there are just as many stories of incompetent and egotistical administrators who did more damage than good. The American Film Institute did a good job fo. 0s. You would think that the book would be filled with stories of heroic efforts to save films, but there are just as many stories of incompetent and egotistical administrators who did more damage than good. The American Film Institute did a good job fo

This study looks at the preservation process, the issue of colourisation, and commercial film archives. It also provides detailed histories of the major players in the preservation battle and the museums.

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